PHY2464 Fall 2005
Sample Exam with
solutions Ð Hall, Chapters 1 Ð 5
For this and similar exams you are permitted to bring one standard-size [8 ½Ó x 11Ó] page of notes and a calculator. Any constants [not formulae!] you need that are not included with the exam will be provided upon request.
Useful (?) Constants
v= 344 m/s at 20 C
g
= 9.8 m/s2
area
of sphere = 4pi r2
Here are some typical questions of the type that might be asked, in addition to the homework problems/questions. Some might be in multiple-choice format. [Since these take longer to compose, few are included here]. ÔSWÕ following a question number means ÒShow WorkÓ: all calculations must be clearly written out. Answers without calculations will receive little credit, even if correct.
In composing the solutions, some questions have
been edited
for clarity. Note that this browser doesn't reproduce all symbols
or Greek letters so some [lambda, pi] have been spelled out.
1 SW. A foghornÕs sound intensity is
measured to be 1 W/m2
at 500 m .
What is the intensity at 1 km?
[See Section
5.3] I is proportional to
1/ r2 ; r1 = 0.5 km and
r2 = 1km = 2 r1 . So:
I1/I2 = r2
2 / r1 2
. So I2 = I1 [ r1 2
/ r2 2 = 1
W/m2 [1km/2km]2
= 1/4 W/m2 or 0.25 W/m2
2 SW.
Please refer
to the above question. What
is the power output of the foghorn?
The sound waves leave the source and (unless
intercepted by
various objects) spread spherically.
Thus at 500 m, the source power has spread over a sphere of
radius 500
m.
So, I = P/4pi
r2 => 1
W/m2 = P/ 4 pi (500 m)2
P = 4 pi (25 0000 m2) 1 W/m2
= 3.14
x 106 W or 3140 kW
[this is probably an
impossibly powerful foghorn!]
3 SW. Please see question 1, above. What is
the sound intensity level [SIL] at 500m?
[See 5.2] SIL = 10 log (I/Io) = 10 log
1/10
-12 = 10 log (1012) = 10 (12) = 120 dB
4 SW. An organ pipe originally tuned to A = 440 Hz at 20 C produces 5 beats per second when compared with a standard tuning fork. What is the room temperature.
assuming that
the pitch change is due to temperature?
There are 2 possibilities: T may be either above
or below
20C making the pitch either sharp or flat. If
T is higher, 5 beats/s => the pipe f = 445 Hz.
Since v = f l, f µ v
[the wavelength doesnÕt change appreciably] , so [see
1.4],
5 = 0.6 (T
-20C) = 0.6T - 12 =>
T = (5 +12)/ 0.6 = 28.3C
[So, T increased by 8.3C.
Try working out the solution for decreased T]
5. The
speed of
sound in air at 10 C will be (in
m/s):
A. 338
B.
350
C. 344
D. 330
E.
none of these
[See 1.4]
. Verify
for yourself that answer A [v= 338m/s] is correct.
6. How many violins would be
required to sound four times as loud as one violin?
Assume
the single violin plays at
SIL = 60 dB.
Assuming that Òfour times as loudÓ means Ò4 times
the
intensityÓ, 4 violins. Note
that this is not the
same as
Òfour times the intensity levelÓ!!
7. The note range on a piano is
approximately 32 Hz Ð 4186 Hz.
To what approximate
wavelengths
do these frequencies
correspond?
[See 2.1]
Assuming
20C, 32Hz corresponds to lambda
=
344m/s/32 Hz = 10.75 m and
4186
Hz to 344/4186 = 0.082m or 8.2 cm
8. You are standing on the field, directing
the Gator Marching Band. Two friends of
yours, both playing
trumpet, march toward you from opposite directions as they play treble
C
(approximately 500 Hz). If each marches at 1 m/s, will they sound out
of tune
to you? Support your answer with a calculation.
This question, as
stated, is
ambiguous: does Ôsound out of tuneÕ mean that you have a way of
deciding their
individual pitches, or does it mean Ôwith respect to each otherÕ??
(a) If
the latter, the answer is ÔNOÕ: Even if the players are moving fast
enough to produce detectable
Doppler shift [see next answer], they are moving toward you at equal
speeds
from opposite directions so youÕll hear the same pitches/frequencies as
if they
were stationary.
(b) The
Doppler-shifted frequency [see
4.4] for each moving player is :
f = fo/(1-V/v) =
500Hz/ [1-
1m/s/344m/s) = 500Hz/ (1 Ð 0.0029) = 500Hz/0.9971 =
501.45Hz. So if you(the ÒobserverÓ) had perfect
pitch or a standard sound source, the shifted frequency would produce
1.45
beats/s which you could presumably hear.
9. Take the
distance between
your ears to be 20 cm. At what
frequencies (if any)
might you expect to have
difficulty in distinguishing
the location of sound
sources, assuming that you are
blindfolded? Justify your
reasoning.
[See 4.2] This is analogous to problem
4.2: sound
waves with
wavelengths appreciably longer than 20 cm will be diffracted by your
head. The diffracted waves will be
difficult
to ÒplaceÕ.
WhatÕs Ôappreciably
longerÕ?? Pick
a convenient number: 1m is 5x longer and will be easy to work with. Thus f = (344m/s)/1m = 344 Hz.
So sound sources producing frequencies
below around 300Hz will be
increasingly difficult to locate, although moving your head might help
[why?]. Perhaps youÕve noticed
that deep bass notes from a pipe organ seem to Òfill the roomÓ which
means that
they seem to have no source location.
10. Before
the
development of
radar, distant approaching aircraft were detected by
two
large movable horns. The
engine/propeller sounds picked up by each horn
were amplified and transmitted separately
to each ear of the observer. Would
this
work? Explain.
Yes, it works. Interference
[see 4.5] will produce
appreciable differences in what each ear
hears,
depending on how the horns are aimed:
H<
OÉÉÉÉÉÉÉÉÉÉ
,,,,,,,,,,,,,,,A
H<
The large [1 m or more across the open ends] horns effectively give the observer bigger ÔearsÕ that receive more of the incoming wavesÕ intensity. If the distant aircraft A is moving along the center line between the horns H< , the observer O will hear the combined frequencies of the amplified sound waves. The waves will be in phase because they are traveling equal distances; thus O hears more sound. If the horns are slowly rotated around a point midway between them, one horn moves closer to A while the other moves away. Waves from A reaching the two horns will go out of phase and the observer will hear less sound, so by rotating the horns and finding the direction of maximum sound intensity the general location of the aircraft can be found.